The famous film Rear Window is entirely based on this strange familiarity and distant proximity of the neighbour. The neighbor, that unknown individual, seemingly so ordinary and peaceful. But what if they were a monster?
This raises the question: should we really get to know our neighbors and let them into our intimacy, or even simply talk to them? Wouldn’t it be better to ignore them? Because once a relationship with a neighbor—friendly or hostile—is established, it’s not so easy to end it.
Our loved ones (friends or family) are often far away. The neighbour has the advantage of being nearby, right next door, but they’re not necessarily a benevolent presence. The paradox of the neighbor can serve as the basis for countless comedies…
Peter and Karen have invited a couple they met at a restaurant, with whom they vaguely get along, for drinks. But since then, they've all had time to sober up, and they realise they don't have much in common to share. It looks like it might be a long evening. Unless...
Alex has just inherited a splendid apartment in the upscale neighbourhoods of Paris from an old aunt whose existence he was unaware of. He takes a tour of the property with his friend Clara. However, family secrets are like corpses; they always end up resurfacing...
In the lobby of a building, between the mailboxes and the entry code panel, strange characters cross paths without always understanding each other...
Sidewalk Chronicles by Jean-Pierre Martinez On the sidewalk of a street, strange stories unfold… 14 sketchs (2 or 4 characters per sketch) …
Asking the new neighbours over for dinner to get to know them: a risky move that could end up costing more than it’s worth and a perfect opportunity for a poker comedy where every player must eventually show their hand.